Yulia Bas (Lobanov) is an emerging Russian artist whose powerful portraits reflect transformation, evolution and the beauty of imperfection. In each painting, empty spaces become eloquent, as faces remain unfinished and details are obscured. Yulia's brush strokes and blanks pose questions on identity, change, and self-doubt. Working in gesso, crushed paper, acrylics and oils, her brushwork is both lifelike and abstract, rude in its texture and vivid in its accuracy. Each detail carries her own anxieties as well as that of her subject; shadows suggesting traumas, tension, and misconceptions, the light indicating clarity, infinite possibilities, power, and peace.
For Yulia, portraiture is a direct reflection of personality – she makes connections between background texture and subconscious settings. Detailed realism coexists with sketchy, bold brush strokes and unapologetic white spots of background. Yulia's portraits capture the subjects in a specific moment, aware that they will never be the same person as in that moment again. And she will never be the same artist. As we experience and are influenced by, changes around us and inside us, our identity evolves and the shadows and light, both real and imagined, adjust too.
Born in Moscow in 1986, Yulia's eclectic artistic journey began at a very early age. From studying with a teacher dedicated to old school academicism as a child, she went on to complete a degree in interior design and architecture. Over the past decade, she has established a successful yacht design studio with her partner, relocating to Barcelona and immersing herself in this unique leviathan realm. Every step and outlet has seen her become more fascinated with the human condition, appreciate the capacity and fragility of each of her mediums – paint and pencil, space and light – and learn more about herself. After a decade dedicated to yacht design, Yulia felt a longing to return to the canvas once again. In many ways an artist reborn, her work harnesses her feelings of vulnerability, her acute awareness of her shifting identity. As she undergoes a metamorphosis of self, so too do her subjects through her honest, incomplete rendering.