Francisco Valverde
Francisco Valverde, "Queen Victoria"
Pigmented resin on panel
89" x 59"
Francisco Valverde, "Madame Récamier"
Pigmented resin on panel
59" x 89"
Francisco Valverde, "Axe"
Pigmented resin on panel
36" x 48"
Francisco Valverde ,"King Edward VII"
Pigmented resin on panel
91" x 59"
Francisco Valverde, "The Crown"
Pigmented resin on panel
46" x 59"
Francisco Valverde, "Queen Elizabeth I"
Pigmented resin on panel
55" x 39.5"
Francisco Valverde, "Anne of Austria" SOLD
Pigmented resin on panel
39.5" x 31.5"
Francisco Valverde, "Felipe IV"
Pigmented resin on panel
59" x 61"
Francisco Valverde, "Royal Family"
Pigmented resin on panel
59" x 81.5"
Francisco Valverde, "King Henry"
Pigmented resin on panel
55" x 39"
Francisco Valverde, "The Coronation of Napoleon"
Pigmented resin on panel
59" x 93"
Francisco Valverde, "King Charles II"
Pigmented resin on panel
70" x 59"
Francisco Valverde, "King George III & Family"
Pigmented resin on panel
59" x 71"
Francisco Valverde , "Emperor Napoleon"
Pigmented resin on panel
71" x 47"
Francisco Valverde "Louis XV" SOLD
Pigmented resin on panel
39.5" x 32"
Francisco Valverde, "Royal Triangle"
Pigmented resin on panel
59" x 81.5"
Francisco Valverde, "Royal Dog"
Résine pigmentée sur panneau
39" x 27.5"
Francisco Valverde | Majesty | October 2020 | Galerie LeRoyer
Francisco Valverde | Majesty | October 2020 | Galerie LeRoyer
Francisco Valverde | Majesty | October 2020 | Galerie LeRoyer
Francisco Valverde | Majesty | October 2020 | Galerie LeRoyer
Francisco Valverde | Majesty | October 2020 | Galerie LeRoyer
Francisco Valverde | Majesty | October 2020 | Galerie LeRoyer
Francisco Valverde | Majesty | October 2020 | Galerie LeRoyer
Francisco Valverde, one of the winners of the Tamayo Biennal explores the subject, experience and movement with his work.
"I'm not saying 'no' to conceptual art at all. I say'no' to the phobia of painting, to those who think that, because it is painting, then no. From the outset, I believe that true art is a concept. And I see two extreme positions: those who believe there should be no painting because it si not a current discourse, and thiose who believe that only the old is worth it.
This is how the painter Francisco Valverde speaks, who with the piece "Monday afternoon" became one of the three winners of the XVII Rufino Tamayo Painting Biennal.