“Fragile enough to vanish, precise enough to navigate continents - the butterfly is nature’s quiet proof that transformation is both miracle and warning.”
Butterflies occupy a rare space between scientific fact and poetic symbol, embodying both precision and wonder. Vladimir Nabokov described standing among rare butterflies as a form of ecstatic timelessness, a feeling rooted in their improbable biology. Fragile yet capable of migrating thousands of miles, they compress vast ideas - transformation, navigation, survival - into bodies that seem almost too delicate to exist. Their appeal lies not only in beauty but in contradiction: creatures that appear ephemeral yet operate with astonishing endurance and instinct.
For Paul Villinski, butterflies became a sustained investigation rather than a passing image. Since the late twentieth century, they have anchored a broader language of flight that includes birds, gliders, and improvised airborne forms. What distinguishes butterflies is their complete metamorphosis, a life cycle that stages rupture and renewal as biological fact. By translating discarded aluminum into the silhouettes of endangered or vanished species, Villinski reframes transformation as both material and ecological, linking human waste to environmental vulnerability.