Christian Verginer Italian, b. 1982
Works
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The nest, 2026 -
Whiteout II, 2024
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Whiteout, 2024
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Too far, too close, 2023
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The nest IX, 2026 Reserved
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Same but different V, 2019
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Behind the surface, a world III, 2026
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Future habitat, 2020
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Home within me V, 2026
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Inner wilderness II, 2026
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Different Stories, 2022
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Too Far, Too Close, 2023
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Two Stories IV, 2022
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Together But Alone, 2024 Sold
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Protected Essence, 2024 Sold
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Different Stories , 2021 Sold
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What Happens Next III , 2018 Sold
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Under A Tree III, 2022 Sold
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Too Far Too Close III, 2023 Sold
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The Nest II, 2023 Sold
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Secret Garden Sold
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Different Times IV, 2023 Sold
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Different Times, 2022 Sold
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The Nest III, 2023 Sold
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You need love V, 2024 Sold
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Maybe Tomorrow III, 2024 Sold
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Metamorphosis II, 2020 Sold
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The Nest, 2024 Sold
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Too Far, Too Close, 2024 Sold
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Maybe Tomorrow IV, 2024 Sold
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Too Far, Too Close, 2024 Sold
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Light in Weight, Immense in Value III, 2025 Sold
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Human Biotope III, 2024 Sold
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Special Commission inspired by Behind the Surface of the World, 2026 Sold
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Empty plant pots, 2019 Sold
Biography
Christian Verginer, born in 1982 in Bressanone, Italy, is considered one of the most valid and original expressionists in contemporary sculpture carvings. His training began by attending the sculpture department of the art school of Ortisei and then continued at the Academy of Fine Arts in Carrara. With academic studies and experience in the family studio, shared with his father Willy Verginer and brother Matthias Verginer, Christian Verginer skillfully merges Val Gardena traditions with modern tastes, crafting figurative sculptures that blend childhood wonder and the vitality of the natural world.
Based in the Alto Adige region of northern Italy, Christian Verginer explores the human figure in its relations with other forms of life, such as animals, nature, trees, or various objects of the world. The material used is linden wood, which is left smooth and covered in details by unexpectedly applied acrylic paint. The titles of the works are funny and ironic. While working almost exclusively in linden wood, Verginer uses bronze when a sculpture is placed outdoors to preserve its texture and details. Verginer grew up in a 500-year-long tradition of sacral carving in wood, from which he became comfortable with the material and the expressions that are offered by this classical technique. With wood, Verginer feels comfortable and free to express himself.
“How distant are people from nature? How alienated? These questions have continued to knock on the door of my conscience, and they emerge in my work with persistence. I hope and imagine a better future, a more sensitive and better kinship between humans and nature on our planet. I imagine a world of peaceful coexistence. My art is my voice.”
Christian Verginer absorbs and observes the world surrounding us, which encourages him to develop his artistic language. To Verginer, his artistic vocabulary has always been orbiting around the relationship between man and nature. A non-static ongoing theme, which he believes will follow him throughout his career. Young children feature prominently in his sculptures. He marvelously conveys the innocence of children, their imagination, and questions between self and nature. He subtly combines children’s gazes, expressions, and movements into artworks that not only evoke people’s nostalgia for their childhood but also awaken their long-forgotten innocence and desire to live in harmony with nature. Verginer's work has been exhibited in numerous solo and group shows across Europe, Turkey, the USA, and Canada, gaining international recognition for its distinctive blend of tradition and modernity.
Exhibitions
