Exploring environmentalism, Christian and Matthias Verginers’ practices are rooted in place, home, intergenerational exchange, and identity. As twins, their work reflects both a deep connection and the distinctions between them, acting as mirrors through which each artist examines his own perspective. Born and raised in the Dolomites’ Val Gardena region, renowned for its centuries-old tradition of wood carving, they developed an early connection to art and nature and learned the craft from their father, internationally recognized sculptor Willy Verginer.
Their work reflects not only the transmission of formal skill, but also of cultural values and identity across generations. This continuity is visible in their shared studio, where father and sons work alongside one another. In Mirror Minds, these ideas of interconnection and identity are brought into focus through the concurrent presentation of Christian and Matthias’ work.
CHRISTIAN VERGINER
Born in Bressanone, Italy in 1982, Christian Verginer began his artistic training at the Art School of Ortisei, completing his studies at the Academy of Fine Arts in Carrara. Christian merges the traditional influence of sacred Val Gardena wood-carving with a conceptual approach.
Christian’s artistic ethos is embodied in the materiality of his works. The human and natural worlds converge in his sculptures, through pictorial representation as well as Christian’s use of linden wood from the tilia tree.
His work has been exhibited in solo and group shows across the world, and is held in esteemed private and public collections internationally.
Inner Landscape Series
Christian Verginer’s new works present a novel approach to the portrayal of the experience of the Anthropocene and humanity’s enduring connection to nature throughout uncertain times. Children are Christian’s primary subjects, further strengthening his message regarding nature as Verginer uses them to convey an innate, rather than learned connection to the natural world that exists within us from youth. Inverting the relationship, for Verginer, humans become the hosts of nature, stressing the symbiosis of our shared existences.
MATTHIAS VERGINER
Born in Bressanone, Italy in 1982, Matthias Verginer began his artistic training at the Art School of Selva Val Gardena before continuing his education through an apprenticeship with his father, sculptor Willy Verginer. Matthias merges the traditional influence of Val Gardena wood carving with a contemporary approach. His outlook is embodied in his quiet, contemplative portraits, which explore the inner psychological landscapes that exist beneath and beyond outward appearances. Working primarily in linden wood, the artist reveals bursts of richly textured colour through coloured line and layers of fabric emerging from between the carved planks, alluding to unseen emotions, memories, and thoughts that exist beneath our outer beings. Through this interplay of material and form, Matthias’ sculptures invite reflection on the complexity of the human condition. His work has been exhibited in solo and group shows internationally, and is held in esteemed private and public collections worldwide.
Space Echoes Series
Matthias Verginer’s introspective portraits portray subjects with their eyes closed. Though they showcase masterful formal explorations of the human form; they can be understood first and foremost as psychological portraits. Verginer’s works demonstrate a primary concern with finding a way to interpret inner worlds through external representations.
Monumental Introspection
Matthias Verginer’s large-scale wood portrait busts represent figures with their eyes closed, imparting a strong sense of stillness and calm through neutral expressions. Grand and well over life-scale, viewers are confronted with these commanding depictions of human contemplation. Despite projecting an imposing presence in the viewer’s space, their perpetually closed eyes keep them firmly fixed within their own internal worlds, poignantly illustrating the deeply human pursuit of introspection and self-reflection.
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